Bennett Cooperman & Meryl Nietsch-Cooperman

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George Gershwin’s “Rhapsody in Blue”—Profound & Playful

Originally presented at an Aesthetic Realism seminar: "What Can We Learn from Music about Our Lives?"

November 29, 2022 By Meryl Nietsch-Cooperman

George Gershwin

George Gershwin’s Rhapsody in Blue was first performed by him in a concert with the Paul Whiteman orchestra on Abraham Lincoln’s birthday, February 12, 1924.  We’re hearing a recording from 1927, with Gershwin himself at the piano and in an arrangement for jazz band created by Ferde Grofé, Whiteman’s chief arranger.  The sound of this […]

Filed Under: Art, Music, Poetry, Meryl Nietsch-Cooperman

Roughness & Grace in “They Can’t Take That Away from Me”

Originally presented at the Aesthetic Realism Foundation, NYC

November 26, 2022 By Bennett Cooperman

A recording I love is the great Louis Armstrong singing “They Can’t Take That Away from Me” by George and Ira Gershwin. His solo rendition comes in the midst of a duet with Ella Fitzgerald from the 1956 album Ella & Louis, one of my all-time favorites. And I think the very opposites we studied […]

Filed Under: Art, Music, Poetry

A Class on Alexander Pope’s Poem “An Essay on Criticism”

Report of an Aesthetic Realism class in which Eli Siegel discussed Alexander Pope's poem on criticism and Shakespeare's "Hamlet." 

October 22, 2022 By Meryl Nietsch-Cooperman

In a class he gave on September 14, 1975, Eli Siegel, Founder of Aesthetic Realism, read and discussed lines from what he has described as “one of the great poems of English literature,” Alexander Pope’s “An Essay On Criticism.”  Written in 1709, the poem is, Mr. Siegel said, “still alive,” and he discussed it in […]

Filed Under: Art, Music, Poetry, Meryl Nietsch-Cooperman

What Does Poetic Music Go For?

Report of an Aesthetic Realism class in which Eli Siegel speaks about Alfred de Musset and his poem "À la Malibran"

October 22, 2022 By Meryl Nietsch-Cooperman

I’m reporting on a historic lecture Eli Siegel gave on December 3, 1969, titled “What Does Poetic Music Go For?” He is the critic who has explained what makes for music in poetry—poetry of any time from Sappho to Shakespeare to Elizabeth Barrett Browning.  “Poetry,” Mr. Siegel stated, “is the oneness of the permanent opposites […]

Filed Under: Art, Music, Poetry, Meryl Nietsch-Cooperman

Pride & Humility, Assertion & Yielding in Pablo de Sarasate’s “Ziegeunerweisen,” played by Jascha Heifetz

Originally presented at an Aesthetic Realism seminar: "What Music Tells Us about Our Lives: A Celebration!"

October 22, 2022 By Meryl Nietsch-Cooperman

    I care very much for this recording of Pablo de Sarasate’s Zigeunerweisen, played with great feeling and power by Jascha Heifetz, accompanied by the RCA Victor Symphony Orchestra and conducted by William Steinberg. Zigeunerweisen means “the ways of the gypsies.” What we just heard is rich with the opposites which, I believe, are central […]

Filed Under: Art, Music, Poetry

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Art, Music, Poetry

What does every instance of beauty have in common? The answer is in this great principle of Aesthetic Realism, stated by its founder Eli Siegel: “All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves.”

Aesthetic Realism shows that we can learn from the technique of art — painting, music, poetry — how to have lives we like, emotions that make us proud.

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